This may sound messed up to most, but one of the drunk conversations I had with friends recently was about how we thought that a movie featuring Clint Eastwood's character from Gran Torino, and Samuel L. Jackson's character from Django would be the most offensive comedy since Blazing Saddles.
Or SamLJ's character from that movie Lakeview Terrace (where he played that meanass racist neighbor).
I always found it interesting that he refused to confess to the young priest, but later in the movie when he locks the kid in the basement, it almost looks like a confessional booth as he talks to him through the screen, essentially confessing.
Good movie, but other than Clint, the acting was on par with what I see at the local high school three act plays production.